2023 Culture Roundup (2024)

It’s time for the year-end culture roundup! Year-end “best of” lists are a dime a dozen these days, and I don’t presume to think that my opinion is at all important in the giant ocean of cultural criticism. But this is an annual tradition for me now, one that really helped me during the worst of the pandemic three years ago. I made these lists to help me see the positives and moments of enjoyment and entertainment in an otherwise awful year, and to share them with others.

This year has proven to be another annus horribilis, in the grand scheme of things. Too many wars, genocides, climate disasters, mass shootings, political upheavals, and the like. To one who pays even the slightest bit of attention to global news, it may seem as if focusing on superficial things like my top movies of the year is fiddling while Rome burns. And I’m not going to deny that or try to justify it. I’ll only reiterate that the last time things seemed hopeless, it helped me personally to document the good, and to be thankful, and to remember that art is always valuable, even (or especially?) during times of crisis.

I must add that fortunately, the past year has been remarkably positive for me personally, global news notwithstanding. 2023 was marked by huge life changes and upheaval, but on the whole, I look back on it with gratitude for the blessings and love that filled my life and accompanied every big milestone. Okay, before I get too schmaltzy–on with the show!

Literature

I am embarrassed to start with this section, because I read fewer books in 2023 than in any other year since I started keeping track (almost a decade ago). I can’t make the excuse that I was too busy (even though I was); more than anything, it seems that the sharp increase in my movie watching habits (see below) corresponds to the sharp decrease in my reading. That said, the three books I’ve decided were my top reads for this year are actually phenomenal, and I highly recommend them to you!

  1. A Tale for the Time Being, by Ruth Ozeki: This novel, set partially on an island in the Pacific Northwest (near Vancouver Island), gripped me completely from start to finish. One narrator with writer’s block, another narrator from across the ocean whose story suddenly ends on a cliffhanger, and a sprinkle of magical realism? Count me in. Reminded me in a good way of Sophie’s World and the less abstract entries in the Murakami canon.
  2. Sea of Tranquility, by Emily St. John Mandel: I love speculative fiction, short stories, and multiple narratives that intertwine in unexpected ways. This was a breezy, slim novel that had all three, and it was also set partially on Vancouver Island! Reminded me of Cloud Atlas.
  3. There There, by Tommy Orange: This has been on my to-read list since it was published in 2018. I liked that it took place in Oakland and provided grounded, three-dimensional portraits of Indigenous people. Also, it was a novel comprised mostly of short stories, loosely woven together, which I can see now is emerging as a theme of the kinds of literature I enjoy. Evokes Joy Luck Club, but with more narrative nuance.

See all my tracked reads since 2019 here. Please recommend some new books for me to read in 2024! I’d like to read more next year than I did this year. Indigenous authors and authors of color are very welcome; I enjoy science fiction, fantasy, and shorter reads.

Film

This section was difficult to compile, because in 2023, I watched nearly 100 feature-length films. I was astounded when I realized this. That’s so many movies, far more than I watched last year; about 75% of them were movies that I had never seen before, to boot! I have my partner, who is a huge film buff, to thank for this; he introduced me to many films that I had never heard of and would never have watched otherwise. Also, I watched tons of films on planes this year, thanks to how many flights I took in January and February during the job interview season. This list is organized by my favorite films released in 2023, then my favorites that I watched this year regardless of when they were released. I only count films that I watched for the first time this year; no repeat viewings are included.

My five favorite films that were released this year:

  1. Anatomy of a Fall (Anatomie d’une chute, 2023, dir. Justine Triet): Well, to be frank, I wouldn’t watch it again anytime soon, but I was struck by how attentive I was during a two-and-a-half hour courtroom drama performed mostly in French. Saw this as part of the Hawaiʻi International Film Festival and totally got the hype. I was mesmerized and pondered the ending for weeks.
  2. Nimona (2023, dir. Nick Bruno and Troy Quane): A surprise hit for me. I loved the fresh animation style, the “hammerspace” creativity of the title character, and the nods to queer representation.
  3. Quiz Lady (2023, dir. Jessica Yu): Admittedly not the most groundbreaking buddy comedy out there, but I knew even as I was watching it that it would become a go-to feel-good comfort movie for me, and I was delighted to watch Awkwafina and Sandra Oh play against type.
  4. Elemental (2023, dir. Peter Sohn): I wrote about this a few months ago. Right up until the end, I was ready to write it off as a beautiful but somewhat trite entry into the Pixar canon… and then the very last scene left me an emotional wreck. I thus give it props.
  5. Oppenheimer (2023, dir. Christopher Nolan): The only blockbuster of the year that squeaked onto the list. Sort of like Anatomy of a Fall, I’m sure I won’t watch this again for a long time, but it was definitely a spectacle well worth the long runtime. I saw it in IMAX and wouldn’t have enjoyed it as much if I hadn’t. Great performances from everyone, and astonishing cinematography.

Five more fantastic films that I watched for the first time this year. Actually, with the exception of Elemental, I had stronger positive feelings about all five of the films below than any of the five above, which is interesting. Maybe 2023 just wasn’t the year for movies that fit my tastes.

  1. Puss in Boots: The Last Wish (2022, dir. Joel Crawford): Stunning animation (that appeared to borrow heavily from the Sony Spider-Man films), paired with an astonishingly mature take on a Shrek side character that dealt with death, belonging, and second chances. This “kids’ movie” didn’t have to go so hard, but it did and we’re all better for it!
  2. Thelma & Louise (1991, dir. Ridley Scott): Absolutely riveting from beginning to its jaw-dropping end.
  3. Police Story (1985, dir. Jackie Chan): Ask my partner how many times I either laughed or gasped throughout this movie as I watched Jackie Chan do all those stunts. You simply cannot make a movie like this anymore.
  4. Erin Brockovich (2000, dir. Steven Soderbergh): I watched this on a plane. Julia Roberts commands such a presence. The story is great, the dialogue is great, the acting is great, everything is just great.
  5. Try Harder! (2021, dir. Debbie Lum): This is an indie documentary that I saw during a screening at the Association for Asian American Studies conference. It was heartwarming and also kind of sad, an honest examination of Bay Area high schoolers who face extreme pressure to get into college that reminded me of my own experiences.

Honorable Mentions: Ten films (in no particular order) that I watched and recognize for being great, even if they didn’t crack the top 10.

  • Red, White & Royal Blue (2023, dir. Matthew López): I think the book was better, but I was satisfied (mostly visually) with this fun rom-com adaption of one of my top reads of 2022.
  • Spider-Man: Across the Spider-Verse (2023, dir. Joaquim Dos Santos, Justin K. Thompson, and Kemp Powers): I loved every second of it until the dawning realization, 120 minutes in, that this was only the first half of a two-part movie, and that made me so upset that I couldn’t enjoy the last twenty minutes of sequel setup. It was like the opposite of Elemental. Endings matter, folks!
  • Barbie (2023, dir. Greta Gerwig): Fun, flirty, and a real phenomenon; but ultimately fell flat, especially in the third act. What’s the message behind this film? Womanhood is hard and the patriarchy is bad? Did anybody not know that already?
  • Killers of the Flower Moon (2023, dir. Martin Scorsese): I liked it a lot, and the strengths of its cinematography and set design helped tremendously with the long runtime. The ending was very thought-provoking. The thoughts it provoked in me were: Did Scorsese have to make this movie about himself? And then: Did he have to make this movie?
  • The Boy and the Heron (Kimitachi wa Dō Ikiru ka, 2023, dir. Hayao Miyazaki): Took me straight back to the magic of Miyazaki’s greatest films, but did not surpass them. Glad to have caught this before the general public thanks to the Hawaiʻi International Film Festival!
  • Joy Ride (2023, dir. Adele Lim): I laughed. A lot.
  • Tár (2022, dir. Todd Field): Here mostly for the music, less so for Cate Blanchett’s (fantastic, masterful) performance as a protagonist I could never root for. The ending was sublime, though.
  • 20th Century Women (2016, dir. Mike Mills): The only word I can use to describe this movie is “comforting”. Really warm, cozy, and comforting. Annette Benning is a star.
  • Suzume (Suzume no Tojimari, 2022, dir. Makoto Shinkai): Just as gorgeous and emotionally wrenching as Your Name, another hit from the same director and studio. The same story arc as before–a first act of physical comedy, a second act that explores the dark depths of modern Japan, and a closer that is simply epic in scale–still worked for me!
  • Akira (1988, dir. Katsuhiro Otomo): Glad to have finally crossed this off my list. Though I found it a bit old-fashioned at times, now I know and can recognize the cultural phenomenon that inspired most of the science fiction and Japanese animation that I’ve loved from childhood until today.

And as a bonus, the worst new movie that I watched this year was, hands-down, Ant-Man and the Wasp: Quantumania (2023, dir. Peyton Reed). Sorry, Paul Rudd, you’re great, but you were wasted in this plotless, predictable, unfunny catastrophe. See all my tracked movies (and television shows) here and follow me on letterboxd!

Television

I must say, I had too much screen time this year. In addition to a hundred movies, I also watched about twenty seasons of different television series; although a “season” is variably defined, in the end, that’s still a lot of television. And all that despite the SAG/Writers strikes that took place this year! Gosh.

  1. White Lotus, Season 1: Season 2 was also great, but the first season was absolutely groundbreaking. I binged both seasons in early January, and I cannot wait for the third. Also, the theme music is very, very cool.
  2. Beef: My partner and I were glued to the screen. We wanted so hard to binge it, but I needed days to “cool down” after each episode, it was that stressful. We paced ourselves. It was worth it. Ali Wong did such an amazing job.
  3. Derry Girls, Season 3: Late to the game with this one, but I needed a breezy comedy in the later half of the year, and this fit the bill perfectly. There was an undercurrent of tension (the Troubles) that I also appreciated, but mostly I was tuning in for the laughs, the hijinks, and the opportunity to train my ear to decipher Northern Irish accents. All three seasons were great, but the last one was, in addition to being just as hilarious as its predecessors, also able to bring me to tears at several points.
  4. Abbot Elementary, Season 2: I was mildly entertained by the first season of this show about a public elementary school, buoyed mostly by the winks and nods at Philadelphia culture. But the second season managed to continue the parade of jokes and funny awkward situations while continuing to build every character out, and frame it with a balanced arc about the very relevant public versus charter debate, so hats off to the writers for pulling that off!
  5. Schmicago: Yay, musicals! I was surprised to find that even though I loved the parody and excitedly pointed out every reference to my baffled friends (I made them watch it with me), the storyline was a bit shakier compared to the first season (Schmigadoon!), and the songs themselves were not quite as catchy as those from before. Still, there are more than a few standouts that now have a permanent spot on my musical theatre Spotify playlist. I can’t wait for season three… Schment? Schmemphis? Schmavenue Q? Shmurinetown???

Music

According to my Spotify Wrapped, many of my top songs of 2023 were the same as those from 2022. This is because I use Spotify to listen to the same playlists over and over again. So, Wrapped has never done a great job of summarizing my year in music. Instead, here’s my manually-assembled Top 10 in music: not necessarily my favorites, but different tracks that really defined the year for me.

  1. Kiss Me (from the soundtrack of Sweeney Todd): There are several recordings of this, including the original Broadway cast and the Broadway revival cast; I think the revival wins out due to its superior mixing. But any version of this unexpectedly lush quartet from one of Sondheim’s most complex musicals is golden. I only discovered the song this year because I watched a stage version at my local community theatre, and I was enchanted.
  2. School Song (from the soundtrack of Matilda: The Musical): In this case, both stage versions and the version from the Netflix movie adaptation are great! I watched the movie adaptatio this year, and that inspired an entire month of bingeing the various versions of the soundtracks. I’ll throw in “Revolting Children” from the same musical here, too. The choreography for both of these is some of the best I’ve ever seen in a movie!
  3. Bad Idea Right? (Olivia Rodrigo): “I just tripped and fell into his bed!” Olivia’s sophomore album, GUTS, was exactly what I had hoped for after SOUR. This track is so sassy, and two others (“All American Bitch” and “Get Him Back”) are super fun to belt, too. I needed her music like seven years ago, but I’m glad I can listen to it now!
  4. Lil Boo Thang (Paul Russell): I first heard this song in a TikTok dance video by Avantgardey (look them up!!!), and then I started hearing it everywhere on the radio. This song and the one below encapsulate very well the feel good vibes of the summer and my first few months in Hawaiʻi.
  5. Calm Down (Rema): I have to admit that I didn’t know what to Google to figure out what this song was when I first heard it on the radio because I couldn’t decipher the lyrics. I still don’t know the lyrics now, but I always feel like dancing to the beat when I heard it!
  6. Padam Padam (Kylie Minogue): I wasn’t at all familiar with Kylie Minogue when I first heard it, so I was surprised that this song was by her, because it sounded like a super risque K-pop single (or a typical Europop entry) to me. Soon it was pounding in gay clubs every weekend and I loved it.
  7. For Now (Kina Grannis): A song I’ve loved for a long time, but keeps getting more and more poignant as I grow older.
  8. On My Way (from the soundtrack of Violet): This one ended up on my musical theatre playlist after a bit of a YouTube rabbit hole, and I really love how lush the chorus is, with its harmonies. I ought to listen to more of Jeanine Tesori’s work!
  9. What Was I Made For? (Billie Eilish): When I encountered this song during its standout scene in Barbie, I was in awe. It was lovely and haunting. Billie’s recent live performance of this on SNL was also extremely good and gave me chills. I think it’s being overplayed on the radio right now, but that’s all right; it deserves all its exposure.
  10. Unholy (Sam Smith & Kim Petras): Oh, I loved this the minute I heard it. This one, and “Padam Padam”, were my queer anthems for the year. Sorry, Troye!

Honorable mention goes to the theme song of White Lotus, season 2, which I already mentioned, but I mean, why not give it another shoutout? I have literally danced to this wordless harpsichord track at a club. It might have been remixed with “Unholy”, who knows?!

Games

I did not play many new board games this year, and I also didn’t even play too many of my old favorites. Life got in the way, I suppose. I did learn a few new games, including Happy Little Dinosaurs and Casting Shadows (of the Unstable Unicorns Tabletop Universe, I suppose…), but the one that I would love to explore more is called Turing Machine. The best way I can describe it is like competitive Mastermind, players versus algorithm.

As for video games, I kept up with my “dailies” (Wordle, Spelling Bee, Worldle, Flagle, Anigrams, Fiddlebrix, Pokémon Go, and Duolingo), introduced two new ones (Framed and Connections), and began to think that I was spending too much time playing “short” games each day.

Finally, I’ll throw pub trivia in the “games” section, as I was just reminiscing about how much fun I had with my Vancouver friends at the Junction on Monday evenings, and how our team won first place when we went for what would be my last Monday ever! I have yet to join a similar pub trivia/Geeks Who Drink event in Honolulu, though I’m sure they’re out there, and I just have to look.

Travel

I’m happy to report that I traveled to many different places all around the world this year. I often travel for work, and this year was no exception, but over the summer I also planned some trips just for fun.

January and February were stacked because I flew to six cities (Tempe, Honolulu, La Jolla, Toronto, London (England!) and Fairfax) in just two months for job interviews. It was a fascinating whirlwind of a time, but would not necessarily recommend that much flying in such a short time. In between those trips, I managed to sneak in a few ski trips back in Vancouver (Whistler). Other work/pleasure trips included the LSA conference (+ one ski day) in Denver, the ICIS conference in Salt Lake City, the AAAS conference in Long Beach (+ a quick trip to the Bay Area for Easter), and my last few train/bus rides to Bellingham and Seattle.

I visited Mexico City for the first time and ended up going twice: Once for Mexico Pride (fantástico!) and then again for a wedding (a frankly incredible 36 hours). Just before moving to Hawaiʻi, my partner and I went on a short but wonderful road trip around Northern California, hitting up Santa Cruz, Monterey, Yosemite, Sacramento, and San Francisco. After I moved to Hawaiʻi, I mostly stayed put, although friends and family did visit me. It’s clear that Honolulu’s beaches are a much bigger draw for most people than Vancouver’s mountains! But actually, my family did visit me in both cities this year, and I really appreciated that.

Culture

I count among my “movies” the few live theater performances I manage to catch each year. I love musicals, and I was happy to see productions of Cabaret in London (West End!), Crazy for You in New Westminster, Spring Awakening in Vancouver, and Sweeney Todd in Honolulu. I’d like to do more to support local theater in the coming year. Oh, and continuing the theme, my partner and I attended a party billed as a “Musical Theatre Rave” back in February, and it was so much fun! It was not a rave. It was five hundred teenagers and young adults singing along to their favorite pop Broadway numbers in a huge auditorium, most of them dressed up as their favorite characters and probably sober. 10/10, would do again.

I also appreciate a good museum, and although I didn’t go to very many this year, I would highly recommend the Denver Art Museum (it has a fantastic permanent exhibit of traditional and contemporary Indigenous art, which is where I first saw Kent Monkman’s paintings), the Tate Modern in London, the Bishop Museum of Honolulu, and, if you happen to be driving on CA-152 East from the Bay Area to Merced, Fresno, or Yosemite, drop by the Romero Visitor Center for a nice view, a bathroom break, and a surprisingly cool and hi-tech exhibit on dams, reservoirs, and civil engineering!

In Honolulu, I haven’t had enough time to really go out and explore whatever “scenes” there are (besides the beach/hiking scene, which I’m already familiar with). But I did have fun going to parties and the main festival of Honolulu Pride, which takes place each year in October. Oh, and as I mentioned before, there was also the Hawaiʻi International Film Festival, which I’ll happily attend again next fall.

Besides all that, of course, the thing that I’ll remember 2023 for, over anything else, is that this year, I moved in with my partner, then moved to a different city/state/country with him to start a new job as a professor. And all that that entails–I won’t quickly forget the logistical tarantella that was all of May, June, July, and August. But my lengthy reflections on all that life stuff are for another post, I think. This one is getting too long, so I’ll just leave you with one last photo of me at Tantalus Lookout, overlooking Lēʻahi (Diamond Head), downtown Honolulu, and my place of work.

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Word of the Day: An olla (Spanish for ‘cooking pot’) is a ceramic pot used in Ancient Rome, Spain, and Central America. There’s a great local cafe near where I live that serves cafe de olla, their take on a Mexican cinnamon-flavored coffee that is traditionally served in a clay pot, or mug. I had cafe de olla for the first time this year in Mexico City, and for the second time in Honolulu.

2023 Culture Roundup (2024)
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